Sunday, April 24, 2011


I've been on an Archie kick recently. Yeah, that Archie, the perennial teen humor comic. I read Archie when I was a kid. I read pretty much all comics democratically. I watched the Archies Saturday morning cartoons. The Archie comic Madhouse changed its name to Gladhouse and served as my introduction to hippy culture (through the parodic eyes of the older men who wrote the book).

But, like most people I guess, I outgrew Archie. Archie and the Riverdale gang didn't care. They continued to be published and have their adventures for a new generation without me, just like they had been doing for years before I was born. Archie first appeared in Pep Comics #22 in 1941 and got his own title in 1942. It's still being published, making it the third longest running comic in history (the other two being Detective Comics and Action Comics respectively). Over the years Archie has produced a number of wonderful and influential writers and artists, too many to go into detail here. My own comics art has been moving into a more simplified and iconic direction, and the Brix strip I've been archiving here is the best example of that. As a result I've been looking at a few of these artists more closely. Bob Montana was the original artist on the series and established the basic look of the characters.

But it was Dan DeCarlo who solidified the style and became the most recognizable Archie artist. I really love his clean lines, uncluttered composition and solid inks.

I also really love the work of Harry Lucey. There's a wackiness and animated feel to his take on the characters that I find charming.

I came to these artists backwards. I've never hidden the fact that Jaime Hernandez of the comic Love and Rockets has been a primary influence. I think that's pretty obvious in any of the various Grey Legacy projects that Fred and I have done. Jaime has always talked about the influence of DeCarlo and Lucey and it took me awhile to really go back and look at what he was talking about. I'm glad I did.

And it's more than just the art. The stories I've been reading are great. The simple love triangle of Archie, Betty and Veronica lends itself to endless variation. The relationships and friendship among all of the characters is truly timeless. Many stories turn on a very simple punchline, some completely subvert traditional storytelling and cross the fourth wall into the surreal.
In the late 60's the Archies were a real band. Okay, they had actual humans playing the instruments and singing, but they were billed as The Archies. The song Sugar Sugar was the #1 pop song in America in 1969. There was this weird promotion where breakfast cereal boxes would have a playable record on the back of the box. The grooves of the record were actually embedded in the cardboard with some kind of plastic/vinyl. You could cut the record out and play it on your record player. I remember doing this with the Archies.

I also remember buying the single of Bang-Shang-A-Lang, with the b-side of Truck Driver. I haven't heard those two songs since I was 9 or 10 years old. Yesterday I downloaded an Archies Greatest Hits album. I still knew all the words to Bang-Shang-A-Lang.

For the record, I'm neither a Betty or a Veronica. I completely understand Archie holding on to both of them.


  1. Wow... I really need to learn html. The formatting on this looks horrible using the blog editor. It really wasn't very intuitive or helpful.

  2. I love the linework and layout in the Harry Lucey pinups!