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 > November 6, 2003 > Arts > DVD Reviews

DVD REVIEWS
**** Brilliant *** Impressive ** Pedestrian * Lame

NICK CAVE
GOD IS IN THE HOUSE
***
DVD Mute Corporation

Recorded live in France during the summer of 2001, God Is In The House offers a visual testament to the charismatic power of Nick Cave and the Bad Seeds. Usually praised for his songwriting, Cave is also a stunning performer. Onstage he is intense, kinetic, gesturing and pointing to the audience to emphasize his words, imbuing them with more power than a studio recording allows. His work crouches on the extremes. He slips from the quiet, hymn-like "Into My Arms" to the cacophonous doom-and-gloom parable of "Saint Huck" and makes them sound like part of the same aural landscape. Unfortunately, this tour was in support of No More Shall We Part, one of Cave's weaker lyrical albums. Parts of the show seem to drag, and though the dynamics of live performance helps, some tedium sets in. The title track in particular feels interminable, making one thankful for a fast-forward option. The DVD is most successful when highlighting the rest of the band. While Cave is obviously the guiding force, much of his success is due to the talent surrounding him. Guitarist Blixa Bargeld and violinist Warren Ellis, both accomplished frontmen of their own bands -- Einsturzende Neubauten and Dirty Three respectively -- are equally charismatic and compelling to watch. Mick Harvey, Cave's right-hand man since childhood, comes off as a quiet presence, but one senses he is the solid musical hub around which the others revolve. The DVD includes a documentary, directed by John Hillcoat, filmed in the studio during the No More Shall We Part sessions. Once again, the influence of the band comes across. Cave is nowhere in evidence while Harvey and Ellis arrange and direct the string quartet brought in for overdubs. The band is revealed in all their humanity as tempers flare and compromises are reached amidst a lot of smoke and laughter. Bargeld drops his Teutonic God of Discord persona long enough to play with one of Cave's sons, making boy-noises on the couch. Also included are three promotional videos, unlikely to be seen anywhere else, that, while interesting, are nothing groundbreaking. Compared to the live performance and the dynamics of the studio, the videos seem almost like an afterthought. In the end, the entire package makes this an essential purchase for fans and a good introduction for nonbelievers.

-- WAYNE WISE


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